Moksh: Salvation through food, drinks and music

Moksh doesnt need any introduction. It is a brand name in itself. Established in the October of 2002, it has come a long way. Nine years since it first opened for service, the place has bettered itself with each passing year. For those who have been at this eatery know why it is one of the most happening place in town. It is indeed the perfect combination of food, drinks and music. It has become the destination for many, to spend quality time with friends.

Although, located in the premises of Gyanmandir in Jhamsikhel, Moksh actually introduces the area instead. The restaurant has a beautiful, serene garden with huge Kabanas and campfire which works equally well for either a sunny afternoon or a cold evening. During the day, the huge garden is perfect to have a cup of coffee and read a book, or even better use the internet because the restaurant has free Wi-Fi. In the evening, the place is perfect to gather around one of the campfires with some pals and enjoy barbecue.

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Moksh has a spacious indoors as well, which includes a bar and a party room. The bar gives a beautiful view of the west which is undeniably the best place to be during a sunset. One can sip a cool drink while watching the sun go down. The party room is where all of the live band performances happen. Moksh entertains guests with live bands twice a week i.e. Tuesday and Friday. The space is also available for celebrations or private parties, for which reservation is required. Moksh also has a hallroom where most of the corporate parties are held. The fantastic area of the restaurant is one side of the successful story, the other part is obviously the food. Along with the musical ambience of the place, the food served here is excellent.
Moksh serves a variety of cuisines including Nepali, Chinese, Continental and more. The menu is a little bit of everything. For the review we had Moksh’s special Salami firewood pizza and one of the new addition to the menu, Roasted Chicken Chilly which is also available in pork. The Salami firewood pizza was unbelievably good. The dough is a thin, crispy crust which is difficult to find in any other restaurants or pizza joints in town. It has Moksh’s secret sauce which compliments the dough perfectly. The sauce has a sour taste which is different and appealing. I couldnt stop eating the big, thin slices and when it was finished, I was left craving for more.

The Roasted Chicken Chilly is like any other chicken chilly, only that the chicken itself is roasted rather than the usual fried. The presentation was good, well garnished. The sauce was fine; nothing out of the box though. The chicken was roasted the usual tandoori style. It was well season. The meat was soft and juicy on the inside but crisp on the outside.  Overall, the entire experience was amazing and affordable. The small pizza  is Rs.250; the large being Rs. 450, and the Roasted Chicken Chilly is priced at Rs. 350. They accept all kinds of credit and debit cards as well, which is a relief. Another factor of great relief is the huge parking space available at the eatery. Hence, there isnt much to worry about when it comes to partying at Moksh and having a good time. Actually, giving it a second thought; being at Moksh means having a great time.

It was Day 1 of Jazzmandu: Jazz for the Next Generation. 3 local groups participated for a chance to play in Jazzmandu 2011. This was the first time that I was introduced to Neighbourhood, a six piece band from Stockholm formed by trombonist Kristian Persson in 2009. The auditorium could not have been more crammed. And I couldn’t have been more anxious to hear them perform. From the beginning, the energy in their music was clearly unmistakable. Their sound was strong, complete and well backed. It was astoundingly memorable to all those who saw them perform.

[quote_right]Jens Filipsson ‘“ Saxophones amp; Flute
Jonne Bentlöv ‘“ Trumpet
Edvin Nahlin ‘“ Keyboards
Aleks Brdarski ‘“ Bass
Sebastian Ågren – Drums
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Having been inspired by a range of sources, their music itself is unique and cannot be bound to a specific genre. Elements of jazz, funk, soul, Ramp;B shine in their original instrumentals primarily composed by Kristian. The horn section distinctly sets Neighbourhood apart from other jazz outfits; the arrangements of their tunes, especially the ballads reflect genuine harmony. Kristian (on trombone), Jonne (on trumpet) and Jens (on sax) complement each other perfectly. And if the horns weren’t enough of a treat for the ears, Aleks’ solid grooves locked in with Sebastian’s exceptional drumming takes you far. Sebastian makes it look easy and his solos always have clear motifs. Edvin’s comps are superb and his selection of adding colour made their sound novel each time around.

They showed great technique and musicality and their solos were well thought out and well executed. Kristian’s accuracy was more than impressive; his phrasing mind boggling and the control with which he played was phenomenal. Jonne stood out with his be-bop influenced sound as he shared in the Masterclass. Jens always stole the show with the occasional high accents and Edvin quietly smiled away while making his solos the icing above the cake. Aleks held everyone’s breath with his long and emotive phrasing; after every phrase you could go ‘wow!’ and hold your breath for another long pharse. Sebastian commanded his solos with mature dynamic precision and while he made it look easy, I’m sure it wasn’t.  Their distinctive on-stage communication and support is thoroughly entertaining especially when any single instrument is soloing.

Neighbourhood is truly an inspiring act.  Though forming only a couple of years back, they released their debut ‘Maybe Tomorrow‘ in 2010 and have received sparkling reviews not receding 4 stars. With such fantastic originals with such arrangements, you have to give them credit for being as innovative as they are. I personally would like to thank Kristian for making this possible; coming to Kathmandu and inspiring all of us who got a chance to watching Neighbourhood. Their album is available on Itunes and they also have a few videos on Youtube for you to check out! Or check out: myspace.com/jointheneighbourhood , where you can find their songs, pictures and tour dates.

Q. How did you hear about Jazzmandu? What made decide that you wanted to come to Nepal?

‘I just happened to find it on the internet. I liked the concept of music for peace and compassion and the idea of going to Nepal was really tempting as well.’ – Kristian Persson

Q. How was your experience in Nepal? Could you highlight some of the high points of this visit, hopefully individually?

‘Nepal seems to be a great country which is rich in nature and life. Kathmandu for me was really humbling. All the people we’ve met have been really friendly and easygoing. Our stay and gig up in Gorkana was really amazing. That together with the show in Pathan were we played with classical musicians was a true inspiration. The whole week was a highlight but if I had to single out a few it would be those two events.’ – Aleks Brdarski

‘Nepal was the trip and tour of my life, no doubt! From the moment we arrived at the Kathmandu Airport you immediately felt there was a very special and relaxed vibe in the air, something that I think affected all of us in a positive way. Everyone of us felt very welcome everywhere we went, the Nepali people are truly very friendly and welcoming. Every day was a highlight for me. I experienced so many wonderful and different things compared to my ordinary life in Sweden and I am grateful for every minute I got to spend in this amazing country!’ -Jens Filipsson

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Q. Kristian, I believe you are just 23. Considering your age, as a composer what advice would you give to young aspiring composers who want to perform their own compositions, but believe age is a ‘limiting’ factor?

‘One of the nice things about music is that its not limited to age. You can communicate with anyone regardless of age as long as you yourself have an open mind. And for me that´s one of the most important things when your´re working with music. When I was around 12 years old I was playing in a local big band, with guys that where in their sixties and even older than that! So for me age is just a number.’ – Kristian Persson

Q. How would you describe the scene (jazz, soul and funk) in Sweden?

‘It’s really flourishing right now with lots of young bands coming up with new fresh ideas and concepts.  The new generation of jazz-musicians also seem not afraid to be influenced by genres like pop and electronica to name a few and collaborations with electronic artists is getting more common, which we like!’ – Jonne Bentlöv

Q. How important do you think is proper formal and/or informal training when it comes to performance?

‘It´s depending on what music you are performing. Some music need it more then others but in our case I think its a mix of both. Its also depending on who you are and what suits you.’ – Kristian Persson

Q. Could you comment on some of the problems you’ve encountered in the past couple of years since the formation of this outfit?

‘Luckily, we all are very good friends in this band, which makes it pretty easy to tour and work together. Of course there has been times of arguments and different opinions regarding the music or other things concerning the band, but we have always been able to communicate and listen to each other, making it possible to find solutions that everyone feel comfortable with. Regarding the music scene today, and the jazz scene in particular, money is always an issue. You really have to work hard to be able to get out on tour and play your music. For us though, this just makes us wanna work even harder We believe in what we do and will always work hard for the opportunity to reach out to new listeners and spread our music around the world.’ – Jens Filipsson

Q. Your debut album has been compared to likes of E.S.T back home, with respect to their appeal to various audiences of varied genres. Could you comment on this a bit?

‘We feel very honored to be compared with such an amazing group who has really put Sweden on the global musical map. They have pushed the limits of what you thought a jazz-trio was suppose to sound like and never got stuck in any pre-determined genre. We hope that we share some of that same spirit in our music!’ – Jonne Bentlöv


Q. What is the secret of your band’s synergy and effective communication? Is it all practice or something else?

‘I think it’s a combination of everything. I think that it’s first and foremost about communication. We always try to communicate when we play together. If we don’t communicate, we don’t play together. However, we have all practiced individually on communication and playing together and locking in with other musicians. With that said I really bealive that we have something unique in our group. I mean we’re all good friends, but when we play together we just reach a new level. It’s really inspiring and that makes us all want to strive for something new everytime we play.’ – Aleks Brdarski

Q. What kind of emotion(s) does your music hope to express?

‘The emotions of daily life and it´s up and downs. Some of the songs express love and hapiness, some others express sorrow and sadness, some of them express anger and frustration. But whats common for all of them is the collective energy you can achieve if you work together. Working this way we always end up having a real good time together and that´s what we want to share with the audience.’ – Kristian Persson

Q. Any future plans and comments on Neighborhood and the music that you seek to explore and have already explored?

‘Our plan is to continue to do the things we do and to grow and improve as musicians and a band. We´re developing all the time and we´re finding new things to discover and explore more and deeper. Besides playing live we´re also working a lot in the studio, so we have new music coming up soon. We´re really excited about the new material so be on the lookout for our upcoming album!’ – Kristian Persson

Thank you and namaste for sharing with us with such wonderful music and giving us such memorable experiences. We hope ‘Maybe Tomorrow’ will be a great success. And we hope to see you again in the future and will be looking forward to it.

Metallica. The band that first got me into listening heavy music. One of the bands that any ‘genre-specific’ person has heard, at least once. I first started listening with their hits, but slowly they got me very attached into their music. It all grew on to me, album by album. And being a citizen of Nepal, getting to watch them live was one of the last things I could have expected. But one summer evening when I log into facebook, there’s an invitation to like a page ‘Metallica Comes to India’!

At first I took it to be only a hoax. Dreams for the simple minded. But eventually, I checked their official website. They had indeed mentioned about touring India. Two concerts were scheduled- one in Delhi and one in Bangalore. In the beginning, I could get only slightly excited because I just couldn’t picture myself actually watching Hetfield playing live in front of me! It was too real to believe. But calming my emotions, I began finding out more about the concert and soon spoke to one of my friends on actually attending the concert. In a few days, we made our mind. We decided to go to Delhi. A guitar pedal was sold (Metallica being the band paid most tribute by it!). Tickets were booked. Heart was set. After some days, he said that our tickets were actually confirmed- Yes, I was actually about to see Metallica Live! I had my travel plans; I had the gig tickets, now all I needed to do was be there!!

The gig was scheduled to be on October 28 and we reached Delhi on October 27. The time passed by slowly, waiting, waiting for the clock to tick-tick-tick away faster and faster’¦.Finally, October 28, we reached the gate at 1:30 and already there were hundreds of people, just like me, waiting under the heated sun. To see them, Metallica, LIVE!! We entered the venue, scrambling against each other- hardly worrying to see who it was you were with or against. It was all push and go. A mad need. We entered the venue and there, in front us, was the stage, that big stage, where Metallica were actually about to perform!

We were not sure who the opening band was, nor how it was about to go, but none of that mattered now that we were going to see Metallica for sure. The gig was scheduled to start at 4:00, but half an hour past the schedule and still there were no signs of any bands opening. The audience was getting impatient. A feeling was growing amongst us. Due to the pressure from the crowd, the barrier on the left front broke. There was confusion. An announcement was made by the officials to the crowd to take a few steps back so that they could fix the barricade. ‘Take a step back if the program has to start’. The crowd did not oblige. People at every corner were getting restless. There was no sign of any music, even after an hour or two had passed after the scheduled time. Anxiety was growing. And then, things got worse.

A man went up to the stage and announced that ‘the gig that day had been postponed to the next day, Oct 29, at 4:00 pm in the same venue’. All around me, the news hit the crowd with a shock. I was at total disbelief. I could hardly know what was going on anymore. The visions came crashing to the ground. People climbed on to the stage, began hitting the speakers, damaging the monitors and other equipments. I kept staring, not knowing what to do. The expectation; it all came crashing down.

In the night, we slowly walked away from the venue; from the joys of hours past. There was little to be said. Later that night we came to know through the news channel that the gig has actually been cancelled. An official statement. Over time, I heard many things from people. Many say, and I partly agree, that it was poor management that caused this. Some say it was to be expected. For myself, I know I was not expecting this. Many things can be said, but I don’t think it is easy to write out those feelings. It isn’t easy to say how I still feel, to have to return without watching them, when at one point in time, I was only ten steps away from the stage. Ten steps away from where Hetfield would have made love to his guitar. Ten steps away from where they would be playing what I first regarded as good heavy music. The failure of the gig is also a national level embarrassment. That is what will happen if managers underestimate the crowd capacity for a band like Metallica.
From that guy who would have sang the songs word to word and remembered the day for his lifetime, I say, hats off to the Indian organizers, who were able to fool 30,000 people at a single time on a single day- which led October 28 to be the best day I never had.

This is what my friends and seniors had to say when they were disappointed like I was;
Puru Lama (Bassist who is not currently active)  ‘So pissed off with those faggots who broke the security barricade. Those indian butt-heads really showed an Indian Attitude- arrogant, proudy and savage.
bottom line-dream shattered, sad, unhappy’

Monica Thapa (Runs a Montessori school in Pokhara)‘Bekar ma paisa kharcha. Cunning Indians have good ideas to make easy money’
Raul Regmi (Plays for a local Nepali underground band ‘Consequence’)  ‘Never trust Indians! They can fool you anytime, anywhere!’

Nikita Tripathi (Student and a local gig-seeker) ‘It didn’t feel very good returning back after waiting two hours in the sun before they let us in, tugging into God-knows-whose t-shirts, getting in and out of the crowd with much effort, spending almost three hours inside the venue’
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Renasha Ghimire (Nepali student at a Punjab University) ‘ With all hopes shattered it’s ironic that I don’t want to remember what happened that day’.

Avishek K.C (Vocalist for Underside/E.quals/Lost Oblivion). ‘I couldn’t listen to my favourite band ever. What was going to be my happiest day ever turned out to be the saddest day ever’

And this is what Sujan Shrestha and Saleem Akthar, who were one of the organizers of the recent SUCCESSFULLY held ‘Silence Festival’ headlined by VADER, had to say when they returned with sad faces too.
‘It’s a shame for a team like DNA to have failed to manage such an event. 30,000 sad faces on a single day for a single cause-well, if that doesn’t make DNA one of the worst event organizing teams ever-what does?’

‘”     October 15, Jawalakhel Ground

Dismantling the humdrum of the metal scene in Nepal, Silence Festival, organized by Silence Entertainment, was a much anticipated concert for Kathmandu’s metal-heads. For the first time, the legendary metal band ‘VADER’ was performing live. Equipped with a stimulating sound-system, the on stage extravagance was complemented by a decent lighting and visual system. Metal-heads were growing gradually in number as the daylight showed the way for the dusk and called for darkness. Security, on the other hand, was tight enough to control the mass.

Hatebook, who have deservedly emerged in the local underground scene, opened the show playing their originals. The fire from their songs was exuded to the rebellious souls of the metal-heads expecting a grand event. Even though the initial crowd was small and with the scorching heat draining revelers’ energy, Hatebook still managed to get the crowd going.

Innercore ‘” the metal band from Hongkong ‘“ were up next. As they mentioned at the start, the band played metalcore pieces inspired mostly by Lamb of God and As I Lay Dying. Even they were successful in thrilling the slowly growing crowd.

Kalodin were next to occupy the stage. Replacing Innerguilt just a week before the festival, the band was definitely one of the local bands the crowd was looking forward to. Some who were sheltering themselves from the sun at the shades came forward to enjoy the thrilling performance. The overall physical appearance of the band, especially the petrifying make-up on their faces and the metal-ish get-up, would have rather suited them at night with the digital lights shining on them. Nevertheless, their exuberant mentality as they greeted the crowd, followed by a commanding on stage-presence, brought a metallic riot around the park.

Then it was time for a solo-performance by Guido Wyss, the drummer from Enigmatic who played last year in Silence Festival I. Named as ‘Commando Noise Terror’, the project was fresh to the music listeners as it brought the hybrid environment of different genres of music ‘“ jazz, electronic and classical.

Another foreign band, Helmut ascended to the stage when the sun was setting at the horizon. First up, they fused classical Sitar played by Anil Dhital with technical metal; an experiment that was very interesting and sounded astounding. Then they started playing their originals, ranging from blues to thrash metal. The thrill and technical expertise of a ‘foreign’ band was evident throughout their performance. Helmut remained completely tight and different from the previous bands for the duration of their set.  Be it their music quality, wisdom or on stage energy, they got the crowd enjoying themselves and head-banging during each of their songs.

Antim Grahan, one of the roots of Nepali underground music, played for a comparatively larger crowd as the sky descended into darkness. Playing their well-known songs like ‘Forever Winter’, ‘Infected’ and the cover of Iron Maiden’s song ‘Hallowed Be Thy Name’, they made the crowd go wild with everyone making a circle and running towards each other like that in every other metal concert. The essence of the melodic death metal could be seen reflected in the reactions of the audience.

Formed just before the Silence Festival, with Founder director of Silence Entertainment, Bikrant Shrestha as the guitarist, Underside took over the platform. The songs they played had the roots of thrash metal and incredibly thrilled the audience with their tight performance. Definitely, Underside has proved themselves as one of the bands to turn to in near future.

Finally, the moment of time the whole mass was waiting for arrived ‘” VADER! With the background music like that of a military marching band and the coherent chant of the entire crowd calling ‘VADER! VADER!’ the entrance was as epic as it could have been. ‘Namaste Nepal’ ‘” a shout out to the entire crowd was followed by a roar in return. When they started to play their songs, metal enthusiasts could not stop themselves from banging their heads to the noise of a Polish legend. They played their own classics such as ‘This is the War’, ‘Silent Empire’, ‘Back to the Blind’ and ‘Impure’. The energy and passion with which they performed fueled the fire inside the souls of the metal-heads as the night was turning out to be one of the marks in the musical history of Nepal. No matter how tiring the entire day was, the crowd couldn’t stop jumping and hammering their heads to the noise of VADER.

After a short-break, they came up with the cover of ‘Black Sabbath’ (Black Sabbath) and ‘Raining Blood’ (Slayer) which were much heavier than the originals. The audience enjoyed the legendary tribute from a legendary band. As they left the platform, they farewelled the audience with ‘Subharaatri Kathmandu’ and gave away drum-sticks and guitar-plectrums.

The festival left an unforgettable memory on the minds of everyone present at the grand metal event. After such an implausible display, the metal-heads are hoping for even a greater festival next year at Silence Festival III! online casino bonus